Rc Gorman Art Piece Lithograph Santo Domingo 1973 Background on the Pieces
R.C. Gorman
"The Picasso of American Indian Art"
Who is R.C. Gorman ?
"Self-Portrait", 1973, Lithograph
The Art of Gorman
Childhood in Chinle (and surrounding areas)
R.C. was born Rudolf Carl Gorman on July 26, 1931. He was born to Carl Nelson Gorman and Adele Brown in Chinle, Arizona (Chin-lee) - a small boondocks near the mouth of Canyon de Chelly (Kan-yone dī shay). He went by "Rudy" back then, and some of his early on works from those years is signed "Rudy Gorman". Past the time I knew him, he was "R.C." but my gramps nevertheless frequently called him Rudy.
Canyon de Chelly was one time habitation to the Anasazi, and ancient pueblo people who flourished as far back at the 12th century b.c.e.. The created circuitous dwellings, baskets, weavings, and stone art. The people are gone now, but evidence of their presence there nevertheless remains. Many of his works reverberate the scenes of Chinle and Coulee de Chelly. From the tall rain stained walls of the canyon, to the flowers and fauna of the lush valley, you lot see the beauty of Dineh Tah (more than modernly spelled "Diné Tah" or Navajo Land).
His grandmother on his mother's side used to come visit them by donkey. She would bring prickly pear, wild bananas and fresh mutton. She would sit with Rudy and show him the stars. She only spoke Navajo and would bespeak out each star and tell him the name for each of them. She would teach him about the plants and herbs growing all around.
In 1964 the Tsaile (Ts-Ay-lee) dam was built, cut off much of the run off from the Chuska (Choo'sskah) Mountains flowing through the Canyon and reaching Chinle, but during R.C.'s childhood Chinle was lush and green. A small population of several hundred Navajo was supported by farming. Ruby Throated Hummingbirds would zoom near, feeding on the small wild flowers.
Rudy had a artistic spirit from an early age. He would play in the muddy waters about the opening to Coulee de Chelly. He would form figures from the clay and mud and draw with charcoal on the sandstone walls of the coulee.
"I identify there, he drew a naked woman. And his aunt scold him: 'you shouldn't do that. That'due south not right'.
And the teacher spank him, considering he was cartoon women similar that, in school. And the teacher told the mother too, and
he got a spanking from her. ...For drawing women! He nevertheless draws the women, just no body spanks him now."
- R.C.'south Male parent, Carl Gorman, in a 1987 interview for Navajo Creative person: R.C. Gorman
"Chinle Red Throated Hummingbird", 1992, Lithograph
"Chuska Tempest", 1997, Lithograph
Part of the Anniversary Suite
For a while, he attended Saint Michael'southward Cosmic School nearly Window Stone, Arizona. I as well attended school in that location from 1995 - 1998, though my experiences were much better than those of my uncle's.
He recalls this time briefly in his book The Radiance Of My People:
"that was the only fourth dimension in my life I remember existence
constantly hungry... when the nuns were looking the other style,
I'd mash up some prunes with a fork, spread the mixture
between ii pieces of bread, and stick it in my shirt
to consume afterward during chapel."
In the fall of 1944 his father, Carl, was still fighting in the Pacific with the 2nd Marine Partitioning as a Navajo Lawmaking Talker. One of Rudy's aunts helped him to enroll into the Ganado Presbyterian Mission School.
Unlike the policies at Saint Michael'southward, the teachers at the Presbyterian school encouraged the children to speak Navajo. Rudy's Navajo had become rusty over the years at Catholic school, simply the masses at his new school were bi-lingual. In fact, many of the hymns they sang had originally been translated into Navajo by his paternal grandmother, Alice P. Gorman. To this twenty-four hour period, many churches across the reservation use those translations.
Rudy delighted in his new school. He worked his summers in a multitude of jobs to pay his tuition. He was encouraged by his teachers to explore his creative side. Several even purchased his early on work, and he never forgot their early back up.
'Rudy' becomes 'R.C.'
Rudy graduated Ganado Mission High School in 1950. He had early thoughts of condign a pilot or a merchant crewman. I retrieve he wanted to travel.
He joined the U.S. Navy in 1951 at the age of nineteen. Every bit you may know, in the military machine, you get by your final proper name. If there is an occasion to identify you lot further, yous might get your initials back. Gone was "Rudy" and and so was born "Gorman, R.C.".
R.C.'s fourth dimension in the Navy had him stationed at the San Diego Naval Air Station so stationed in Guam as an airman and finally aboard the United statesS. Oriskany (CV-34) for readiness training along the California declension. Information technology was R.C.'s offset time traveling to another country. He became enamored with the people, food and this new experience.
During this time, R.C. couldn't help but go on exploring his creative side. The pin-ups of Alberto Vargas and George Petty were extremely popular. R.C. capitalized on this and would draw up your girl dorsum home as a pin-upward. He charge the officers $7 and the enlisted $2. I haven't had one of these cross my path nevertheless, but if y'all always find i, let me know.
R.C.'s Father, Carl, recalls R.C. drawing from an early age.
R.C. was my uncle. Past the time I had come around, he had been dubbed: "the Picasso of American Indian Art" by the New York Times, he had ii successful galleries, one in Taos and the other in Old Town Albuquerque, his work adorned the walls of dozens - if not hundreds - of galleries from San Fransisco, Philadelphia, and New York to Paris, Berlin, and London also as countless homes around the globe. I knew him as "Uncle R.C.". He was 52 when I was born and 74 when he passed. I knew him for 21 years.
I accept many fond memories of my uncle and the times I would come visit him with my family. He had already put on a scrap of a belly by the time I knew him, his knee gave him some trouble sometimes, only he was always quick to rising to come give his male parent and pace-mother a hug.
Visiting R.C. meant nosotros would be eating out, a existent treat as the town I grew up in, Fort Defiance, didn't have much in the way of places where we could eat-out, moreover, our family budget wouldn't allow for information technology.
Lithographs & Serigraphs
Lithography is not my medium, so my knowledge of the consummate process is limited. I take fabricated every endeavour to be as accurate as possible in my statements, and have omitted anything I was non able to verify.
Lithography is the process of printing from rock. "Lithos" - Greek "stone" and "Graphein" - Greek "to write". The procedure was invented in 1796.
Below is a list of R.C.'s Lithographs and Serigraphs. This list is in the procedure of being updated and is incomplete. My records give a count of about 70 Serigraphs and 450-500 lithographs produced past R.C. over his five decade career. I promise to accept this completed soon, only it is a procedure of cross checking information over several sources. The information provided is meant to requite the general public enough data to identify a slice. The Retail Range is based on several sources including but not limited to a 2009-2016 (the exact date of publication and last update aren't known) suggested retail toll list published by Western Graphics, Inc and prices for the artworks from the Navajo Gallery website in 2019 likewise every bit sale records.
In determining the value of an art slice, in that location are many factors that will come into play such equally Condition, Availability, Provenance, and Aesthetic just to name a few. With that in-listen, this list should be taken equally advisory only, and not treated every bit a guide to appraisal. THE MICHAEL GORMAN GALLERY DOES NOT Offering APPRAISALS OR AUTHENTICATIONS of artwork as a service at this time. If you need an appraisal for insurance or resale purposes, contact an art appraiser in your surface area who has experience with RC Gorman, Native American Contemporary Fine art, or Southwestern Fine art. They may also be able to authenticate the work.
By the aforementioned token, I accept not known Taos without R.C. When he died in 2005, I did not render to Taos until 2013. At present, living here under the Taos Mountain and I am reminded everyday of his presence. His friends, his fans, and his beau artists come to me and share their memories of him.
R.C.'s voice is in my head too. Not as a father figure, and neither as a instructor. No, instead I recall his laugh: a loud, high, and lyrical "Haaaa! Oh dear..."
In my more than recent years, I have started to become a student of his work. Non then much to look at the art and say "This is this one of his works from 1991" or "He did this while in Houston", or "So-and-and then modeled for this piece", although much of that has come with studying his work, merely rather I'1000 searching for those things which might connect us, those thoughts that we might share, agree on or disagree on. R.C. was a very intelligent man - thoughtful and insightful. He was also an elder. He grew upwardly in a dissimilar fourth dimension than I. He watched as the exterior globe moved more and more into the day-to-solar day life of the reservation. He explored the globe as a Navajo, visiting those places that sent ships and people to America. He consumed the food of the world and loved them.
He also watched every bit Taos changed. As national stores, restaurants and amenities have come to town, bringing progress . R.C. was very directly, but you had to be listening. He would tell you things, only it wasn't always easy to hear. A conversation with R.C. might have some fourth dimension to digest. Maybe that'due south why he ever liked to talk over dinner.
| Championship | Epitome | Medium/Technique | Year | Dimensions Inches (hxw) | Retail Range | Available through the gallery |
|---|---|---|---|---|---|---|
| Abiquiu Rainstorm | Lithograph | 1985 | 25.5 x 35 | $ 3200 - $ 5900 | ||
| Acoma | Lithograph | 1983 | 29.5 x 38.25 | $ 2400 - $ 5000 | ||
| Acoma Maiden | Lithograph | 1989 | 24 x 19 | $ 1860 - $ 6000 | ||
| Acomita* | Lithograph | 1997 | 9.5 10 13.5 | $ 4000 - $ 6000 | ||
| Adelle Rose | Lithograph | Unknown | Unknown | UnDet - $ 3900 | ||
| Aletha | Lithograph | 1985 | 26.25 10 36.25 | $ 2000 - $ 5000 | ||
| Alma | Lithograph | 1984 | 36 x 29 | $ 2000 - $ 3900 | ||
| Amelia | Lithograph | 1981 | 30 x 22 | $ 3000 - $ 4500 | ||
| Anabah, St I (ruby dress) | Lithograph | 1979 | 22 x 30 | $ 2900 - $ 4500 | ||
| Anabah, St Ii (white) | Lithograph | 1979 | 22 10 thirty | $ 2900 - $ 4500 | ||
| Anasazi Jar | Lithograph | 1988 | 26.5 10 35 | $ 4400 - $ 4500 | ||
| Angela'due south Babe | Serigraph | Unknown | Unknown | UnDet - $ 4600 | ||
| Angelina (color) | Lithograph | 1974 | xxx x 22 | $ 4000 - $ 3900 | ||
| Angelina (white) | Lithograph | 1974 | 30 x 22 | UnDet - $ 3900 | ||
| Anita, St I | Lithograph | 1997 | 26 x 21 | $ 3000 - $ 6500 | ||
| Anita, St II | Lithograph | 1997 | 26 x 21 | $ 2000 - $ 5500 | ||
| Anna | Lithograph | Unknown | Unknown | UnDet - $ 3900 | ||
| Arabesque | Lithograph | 1976 | 30 x 22 | $ 6900 - $ 5500 | ||
| Atole | Lithograph | 1990 | 36 x 29.5 | $ 2500 - $ 3900 | ||
| Aurora | Lithograph | 1989 | 29.5 x 38.5 | $ 3500 - $ 5500 | ||
| Barcelona Rose | Lithograph | 1982 | 22 x 37.5 | $ 3000 - $ 4000 | ||
| Barefoot Lady | Lithograph | 1978 | 12 ten 15 | $ 2000 - $ 6000 | ||
| Bayetta, St I | Serigraph | 1981 | 31 ten 24 | $ 1500 - $ 4200 | ||
| Bayetta, St I | Lithograph | 1981 | 31 ten 24 | $ 1500 - UnDet | ||
| Bayetta, St II | Serigraph | 1981 | 31 ten 24 | $ 1500 - $ 3900 | ||
| Bayetta, St 2 | Lithograph | 1981 | 31 x 24 | $ 1500 - UnDet | ||
| Bead Maker | Lithograph | 1987 | 25.v x 34 | $ 6500 - $ 6900 | ||
| Dazzler Style | Lithograph | 1990 | 37 x 31 | $ 2000 - $ 3900 | ||
| Benally | Lithograph | 1988 | 19 ten 29.5 | $ 5000 - $ 6500 | ||
| Benita, St I | Lithograph | 1981 | 22 x 30 | $ 2000 - $ 5000 | ||
| Benita, St II | Lithograph | 1981 | 22 x 30 | $ 2000 - $ 3900 | ||
| Bisbee | Lithograph | 1988 | 30 ten 39.5 | $ 3000 - $ 4500 | ||
| Blessing Style | Lithograph | 1997 | 24.five x 41 | $ 4300 - $ 5500 | ||
| Blue Corn | Lithograph | 1985 | 37 x 25.5 | $ 6500 - $ 6900 | ||
| Blue Door | Lithograph | 1989 | 28 10 37 | $ 3200 - $ 5500 | ||
| Blue Gem* | Lithograph | 1999 | xxx x 24 | $ 3000 - $ 5000 | ||
| Built-in of Water 1975 | Lithograph | Unknown | Unknown | UnDet - $ 5500 | ||
| Born of Water 1980 | Lithograph | 1980 | 30 x 22 | $ 2200 - $ 4500 | ||
| Bosque Redondo | Lithograph | 1984 | 26 10 36 | $ 2700 - $ 5000 | ||
| Breadmaker | Lithograph | 1988 | 29.5 x 37.25 | $ 3250 - $ 4500 | https://world wide web.michaelgormangallery.com/production-page/breadmaker-1988-signed-lithograph-by-r-c-gorman | |
| Cactus Flower | Lithograph | 1989 | 29.5 x 37 | $ 4000 - $ 3900 | ||
| Canyon De Chelly (Night) | Lithograph | 1979 | 22 x 32 | $ 4500 - UnDet | ||
| Canyon Harvest | Serigraph | 1984 | 38.5 x 58.5 | $ 6000 - $ 9500 | ||
| Canyon Adult female | Lithograph | 1989 | Unknown | $ 4300 - $ 6000 | ||
| Canyon de Chelly (Mean solar day) | Lithograph | 1979 | 22 x 32 | $ 4500 - $ 8500 | ||
| Canyon de Chelly (24-hour interval) Edition de Luxe | Lithograph | 1979 | 22 x 32 | $ 4500 - $ 8500 | ||
| Canyon de Chelly (Night) Edition de Luxe | Lithograph | 1979 | 22 x 32 | $ 4500 - $ 8500 | ||
| Canyon de Chelly Twilight | Lithograph | 1988 | 30 x 40 | $ 3300 - $ 7900 | ||
| Carmen and Kid | Lithograph | 1988 | 27 x 36 | $ 3850 - $ 6000 | ||
| Carol's Blanket, St I | Serigraph | 1984 | 34 x 47 | $ 6500 - $ 12000 | ||
| Carol's Blanket, St II | Serigraph | 1984 | 34 x 47 | $ 6500 - $ 7500 | ||
| Carolina, St I | Serigraph | 1986 | 38 10 26 | $ 1800 - $ 3900 | ||
| Carolina, St Two | Serigraph | 1986 | 38 x 26 | $ 1800 - $ 3900 | ||
| Cassandra | Lithograph | 2003 | 23 x 31 | $ 4650 - $ 6000 | ||
| Catalina de Mora | Lithograph | 1989 | 37 x 29.5 | $ 4600 - $ 6000 | ||
| Celestina | Lithograph | 1993 | 22 x 30 | $ 3000 - $ 3900 | ||
| Ceremony | Lithograph | 1992 | 25 x 32 | $ 1220 - $ 3900 | ||
| Cerrillos | Lithograph | 1998 | 30 x 24 | $ 2000 - $ 5000 | ||
| Chama | Lithograph | 1982 | 21.25 x 27 | $ 2000 - $ 3900 | ||
| Chamisa | Lithograph | 1992 | 27 10 36 | $ 1640 - $ 4500 | ||
| Chela, St I | Lithograph | 1980 | 22 x 28 | $ 1800 - $ 6000 | ||
| Chela, St II | Lithograph | 1980 | 22 10 28 | $ 3600 - $ 6000 | ||
| Principal's Blanket, St I | Lithograph | 1980 | twenty x 16 | $ 3000 - $ 4500 | ||
| Chief'due south Coating, St II | Lithograph | 1980 | 20 10 16 | $ 3000 - $ 4500 | ||
| Chili Peppers | Lithograph | 1987 | 27.5 x 35.25 | $ 8700 - $ 12000 | ||
| Chili Picker | Lithograph | 1991 | 31.v ten 42 | $ 4200 - $ 6000 | ||
| Chimayo Chiles | Lithograph | 1992 | 27 x 36 | $ 3000 - $ 4900 | ||
| Chimayo Solar day | Lithograph | 1982 | 22 10 30.25 | $ 3400 - $ 4500 | ||
| Chimayo Night | Lithograph | 1982 | 22 ten thirty.25 | $ 3400 - $ 4500 | ||
| Chinle | Lithograph | 1982 | 26.5 x 36 | $ 3500 - $ 4200 | ||
| Chinle Ruby Throated Hummingbird | Lithograph | 1992 | 11 10 14 | $ 3200 - $ 14000 | ||
| Chitsa, St I | Lithograph | 1980 | 20 x 24 | $ 3200 - $ 9000 | ||
| Chitsa, St II | Lithograph | 1980 | twenty ten 24 | $ 3200 - $ 9000 | ||
| Chitsa, St 3 | Lithograph | 1980 | 20 x 24 | $ 7200 - $ 9000 | ||
| Cholena, St I | Lithograph | 1980 | 17 10 16 | $ 1900 - $ 4500 | ||
| Cholena, St II | Lithograph | 1980 | 17 x 16 | $ 1900 - $ 4500 | ||
| Cholena, St Three | Lithograph | 1980 | 17 x sixteen | $ 1900 - $ 4500 | ||
| Chuska Storm* | Lithograph | 1997 | ix.five x 13.5 | $ 4000 - $ 5500 | https://www.michaelgormangallery.com/production-page/chuska-storm-1997-signed-lithograph-past-r-c-gorman | |
| Chuska Woman | Lithograph | 1984 | 25 ten 33.5 | $ 2400 - $ 4200 | ||
| Cocheta, St I | Serigraph | 1979 | 28.five ten 40 | $ 2000 - $ 5200 | ||
| Cocheta, St Ii | Serigraph | 1979 | 28.five x xl | $ 2000 - $ 3900 | ||
| Cochiti | Lithograph | 1985 | 25.5 x 34 | $ 5500 - $ 7500 | ||
| Colorado | Lithograph | 1992 | 22.5 x xxx | $ 4300 - $ 6500 | ||
| Concha | Lithograph | 1987 | 25 10 35.25 | $ 6000 - $ 7200 | ||
| Concho | Lithograph | 1979 | Unknown | $ 2100 - $ 5000 | ||
| Contemplation | Lithograph | 1971 | 30 x 22 | $ 2200 - $ 3900 | ||
| Contemplation | Lithograph | 1975 | Unknown | $ 4200 - $ 6500 | ||
| Corn Lady | Lithograph | 1974 | 15 x eleven | $ 3000 - $ 5000 | ||
| Corn Mother | Lithograph | 1971 | 30 x 22 | $ 8700 - $ 9900 | ||
| Corn Woman | Lithograph | 1985 | 26 x 36 | $ 3500 - $ 4500 | ||
| Crescent Moon | Lithograph | 1987 | Unknown | $ 3950 - $ 6000 | ||
| Crystal | Lithograph | 1997 | 24 ten 32 | $ 3950 - $ 5500 | ||
| Damita, St I | Serigraph | 1979 | 27.5 x twoscore | $ 2200 - $ 5000 | ||
| Damita, St II | Serigraph | 1979 | 27.5 x forty | $ 2200 - $ 3900 | ||
| Daydreamer | Serigraph | 1983 | 27 x 36 | $ 1800 - $ 3900 | ||
| De La Noche | | Serigraph | 1991 | Unknown | Undetermined | https://www.michaelgormangallery.com/product-page/de-la-noche-1991-signed-serigraph-past-r-c-gorman |
| Doreen, St I | Serigraph | 1983 | 26.25 x 33.25 | $ 1800 - $ 3900 | ||
| Doreen, St II | Serigraph | 1983 | 26.25 x 33.25 | $ 1800 - $ 3900 | ||
| Dusk | Serigraph | 1990 | 19 ten 25 | $ 2900 - $ 6000 | ||
| Escalera | | Lithograph | 1988 | 41 x 29.75 | $ 3000 - $ 5500 | https://www.michaelgormangallery.com/product-page/escelara-rc-gorman |
| Esta, St I | Serigraph | 1981 | 36.25 x 28 | $ 2600 - $ 5500 | ||
| Esta, St 2 | Serigraph | 1981 | 36.25 x 28 | $ 2600 - $ 4500 | ||
| Evelyn | Serigraph | 1988 | Unknown | $ 2700 - $ 4500 | ||
| Evie, St I | Serigraph | 1979 | 22 ten xxx | $ 2500 - $ 4000 | ||
| Evie, St Ii | Serigraph | 1979 | xix x 25.5 | $ 2500 - $ 4000 | ||
| Ginny | Serigraph | 1990 | 19 x 25 | $ 3000 - $ 5200 | ||
| Gossips | Serigraph | 1977 | 27.75 x 19.75 | $ 2700 - $ 9000 | ||
| Grace | Serigraph | 1979 | 32 ten 23.625 | $ 2500 - $ 3900 | ||
| Janis, St I | Serigraph | 1984 | 31.five x 38 | $ 3000 - $ 3900 | https://www.michaelgormangallery.com/product-folio/janis-land-i-1984-past-r-c-gorman | |
| Janis, St II | Serigraph | 1984 | 31.5 x 38 | $ 4300 - $ 3900 | ||
| Jessica | Serigraph | 1988 | 19 10 25.5 | $ 1800 - $ 5500 | ||
| Jubilee | | Lithograph | 2000 | 25.5 x 32 | $ 2500 - $ 5000 | https://www.michaelgormangallery.com/product-page/jubilee-2000-by-r-c-gorman |
| Kay-Bah | Serigraph | 1991 | Unknown | $ 2600 - $ 5500 | ||
| Kirsten | Serigraph | 1989 | Unknown | $ 1700 - $ 3900 | ||
| Klah | | Lithograph | 1976 | 22 ten 30 | $ 4700 - $ 6000 | https://www.michaelgormangallery.com/product-page/klah-1976-by-r-c-gorman |
| Madrid | Lithograph | 1997 | 9.5 x 13.5 | $ 4000 - $ 5500 | ||
| Marie, St I | Serigraph | 1985 | 32 x 37.5 | $ 1600 - $ 3900 | ||
| Marie, St II | Serigraph | 1985 | 32 x 37.v | $ 1600 - $ 3900 | ||
| Mimbres Adult female | Lithograph | 1989 | 36 x 29.5 | $ 1640 - UnDet | ||
| Mothers-in-Law | Serigraph | 1977 | 22 x 31 | $ 2000 - $ 3900 | ||
| Myra | Serigraph | 1991 | 25 x 19 | $ 2200 - $ 4200 | ||
| Navajo Dancer, St I | Serigraph | 1979 | 30 x 22 | $ 2500 - $ 4000 | ||
| Navajo Dancer, St 2 | Serigraph | 1979 | 30 ten 22 | $ 2500 - $ 4000 | ||
| Navajo Manta | Serigraph | 1977 | 22 x 17 | $ 1200 - $ 3900 | ||
| Navajo Mother and Child | Serigraph | 1979 | 38 x 28 | $ 2900 - $ 5500 | ||
| Navajo Summer | Serigraph | 1977 | 16 x 22.75 | $ 1500 - $ 4500 | ||
| Nicole | Serigraph | 1990 | 19 x 25 | $ 1500 - $ 3900 | ||
| Night, St I | Serigraph | Unknown | 22 x twenty | UnDet - $ 4800 | ||
| Nighttime, St II | Serigraph | Unknown | 22 x 20 | UnDet - $ 3900 | ||
| Pajeha, St I | Serigraph | 1980 | 22 x thirty | $ 2000 - $ 4500 | ||
| Pajeha, St 2 | Serigraph | 1980 | 22 x 30 | $ 2000 - $ 4500 | ||
| Pottery Keeper, St I | Lithograph | 1977 | 22 x 30 | $ 5900 - $ 15000 | ||
| Pueblo Potter, St II | Lithograph | 1978 | 22 x 30 | $ 3000 - $ 5500 | ||
| Ranchos Twilight | | Lithograph | 1988 | 31.75 x 42 | $ 5500 - $ 7200 | https://www.michaelgormangallery.com/product-page/ranchos-twilight-1988-by-r-c-gorman |
| Red Concho | Lithograph | 1989 | $ 4400 - UnDet | |||
| Seated Woman, St I | Serigraph | Unknown | 29 x 39.v | Undetermined | ||
| Seated Adult female, St II | Serigraph | Unknown | 29 x 39.5 | Undetermined | ||
| Sisters-in-Law | Serigraph | 1977 | xix.75 x 27.75 | $ 2300 - $ 4600 | ||
| Spirit, St I | Serigraph | 1979 | 29 x 40 | $ 1900 - $ 3900 | ||
| Spirit, St 2 | Serigraph | 1979 | 29 x 40 | $ 1900 - $ 3900 | ||
| Star Gazer | Lithograph | 1990 | 30.75 x 35.75 | $ 4000 - $ 5500 | https://world wide web.michaelgormangallery.com/product-folio/star-gazer-1990-past-r-c-gorman | |
| Sunset Woman | Lithograph | 1988 | Unknown | $ 2900 - $ 4200 | ||
| Suzy, St I | Serigraph | 1982 | 25.5 x 34 | $ 2500 - $ 3900 | ||
| Suzy, St II | Serigraph | 1982 | 25.v x 34 | $ 2500 - $ 3900 | ||
| Tamara, St I | Serigraph | 1986 | 32 ten 35.75 | $ 2000 - $ 3900 | ||
| Tamara, St II | Serigraph | 1986 | 32 x 35.75 | $ 2000 - $ 3900 | ||
| Taos Flowers | Lithograph | 1990 | 33 x 45 | $ 5700 - $ 7200 | ||
| The Gatherers, St II | | Lithograph | 2001 | 29 x 41 | $ 3000 - $ 5200 | https://www.michaelgormangallery.com/production-folio/the-gatherers-state-ii-2001-by-r-c-gorman |
| Tonto Pot, St Two | Lithograph | 1979 | 22 x xxx | $ 4900 - $ 7500 | ||
| Tonto Woman | Lithograph | 1992 | 29.5 ten 36 | $ 3000 - $ 6000 | ||
| Twilight | Serigraph | 2000 | 25 ten 19.five | $ 1900 - $ 3900 | ||
| Walking Woman, St I | Serigraph | 1979 | 39 x 30.five | $ 3200 - $ 5000 | ||
| Walking Adult female, St 2 | Serigraph | 1979 | 39 10 30.5 | $ 3200 - $ 3900 | ||
| Whispers | | Lithograph | 1989 | 29.5 ten 36.five | $ 3500 - $ 4000 | https://world wide web.michaelgormangallery.com/product-page/whispers-rc-gorman |
| Winona, St I | Serigraph | 1981 | 32 x 27 | $ 3000 - $ 3900 | ||
| Winona, St II | Serigraph | 1981 | 32 x 27 | $ 3000 - $ 3900 | ||
| Woman From Maui, St I | Serigraph | 1983 | 28.v x 33.five | $ 1900 - $ 3900 | ||
| Woman From Maui, St Ii | Serigraph | 1983 | 28.5 x 33.v | $ 1900 - $ 3900 | ||
| Adult female From Third Mesa | Lithograph | 1988 | 27 x 36 | $ 4600 - $ 4500 | ||
| Yosi | Serigraph | 1977 | eighteen.5 10 12.75 | $ 900 - $ 5900 | ||
| Yossi-Bah | Serigraph | 1988 | 19 10 25 | $ 1800 - $ 5200 | ||
| Zia, St I | Lithograph | 1978 | 22 x 30 | $ 4500 - $ 15000 | ||
| Zia, St 2 | Lithograph | 1978 | 22 10 30 | $ 8200 - $ 15000 |
Paintings & Sketches
The Posters
| Championship | Epitome | Twelvemonth Released | Prominent Text | Total Dimenstions | Image Size (Approx) | Complete Image? | Meet Also |
|---|---|---|---|---|---|---|---|
| Jonie (perhaps) | 1991 | R.C. Gorman <> Artistic Gallery Scottsdale Arizona <> February 21, 1991 | No | ||||
| Pottery Keeper | No | Potter Keeper, Lithograph | |||||
| Yes | |||||||
| Nakai | 1995 | R.C. Gorman | Navajo Gallery • Taos | Yes | ||||
| La Dulce | 1992 | Rio Grande Gallery / Santa Fe | Yes | ||||
| Woman With Grapes | 1990 | third Almanac New Mexico Wine Festival at Bernalillo | Yep |
Ceramics
The Bronzes
Books past and almost R.C. Gorman
Autobiographical / Biographical
R.C. Gorman, The Radiance Of My People / R.C. Gorman. Santa Atomic number 26 Fine Arts, Inc., 1992
187 pages, 170 illustrations, 127 full color plates
Hardback
Cloth with Dust Jacket
Cloth with Sleeve
Paperback
Chuck Henningsen and Stephen Parks / New York Graphic Gild, R.C. Gorman / a portrait . Piffling, Brown and Visitor, 1983
(Youth)
Spring Herman / Enslow, R.C. Gorman: Navajo Artist. Enslow Publishers, Inc., 1995
Nudes and Foods Series
Virginia Dooley, Nudes & Foods, Gorman Goes Gourmet. Northland Printing, 1981
Virginia Dooley, Nudes & Foods, Gorman Goes Gourmet, Volume II. Navajo Gallery, 1989
Virginia Dooley, R.C. Gorman's / Nudes & Foods / In Skillful Sense of taste . Clear Calorie-free Publishers, 1994
Virginia Dooley, R.C. Gorman / Nudes & Foods IV / The Millenium Edition . Navajo Gallery, 2000
Artbooks: Coffee Table, Reference, & Collectable
Ben Q. Adams and Richard Newlin, R.C. Gorman: The Graphic Works. Taos Editions, Ltd., 1987
Hardback
Cloth Embrace, Special Limited Edition, Numbered & Signed
Cloth Cover with Dust Jacket
R.C Gorman - Northland Printing Series:
Doris Monthan, R.C. Gorman/ The Lithographs. Northland Press, 1978
1st printing - 1978
2nd printing -
third printing -
4th printing - 1983
Mary Beth Green, R.C. Gorman/ The Drawings. Northland Press, 1981
fourth press - 1983
R.C. Gorman - introduction by Tricia Hurst, R.C. Gorman / The Posters. Northland Press, 1980
Paper
Cloth
Limited
Doris Monthan, R.C. Gorman/ The Lithographs. Northland Press, 1990
208 p.
Virginia Dooley, R.C. Gorman: 30 Years in Taos / featuring the consummate bronzes. Navajo Gallery, 1998
The Radiance Of My People / R.C. Gorman . - See Autobiographical
Related Books: Gorman Family, Contributions by R.C.
Art & Biographical Book about R.C. 'due south Father
Henry & Georgia Greenberg, Carl Gorman's Earth. University of New Mexico Press, 1984
1 ed
ii ed - see "Ability of a Navajo"
Henry & Georgia Greenberg - frontwards by R.C. Gorman, Power Of A Navajo / Carl Gorman: The Human and His Life. Articulate Low-cal Publishing, 1996
Art & Biographical Volume about R.C.'s Uncle
Steven Curtis, Navajo Silversmith Fred Peshlakai: His Life & Art. Schiffer Publishing, Ltd., 2014
Source: https://www.michaelgormangallery.com/r-c-gorman
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